The Performance Of Italian Basso Continuo Style In Keyboard Accompaniment In The Seventeenth And Eighteenth Centuries Book PDF, EPUB Download & Read Online Free

The Performance of Italian Basso Continuo

The Performance of Italian Basso Continuo

Author: Giulia Nuti
Publisher: Routledge
ISBN: 1351541609
Pages: 164
Year: 2017-07-05
Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.
Sourcebook for Research in Music, Third Edition

Sourcebook for Research in Music, Third Edition

Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Pages: 518
Year: 2015-06-01
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Heinrich Scheidemann's Keyboard Music

Heinrich Scheidemann's Keyboard Music

Author: Pieter Dirksen
Publisher: Ashgate Publishing, Ltd.
ISBN: 0754654419
Pages: 254
Year: 2007
One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Pieter Dirksen considers the transmission of Scheidemann's music as a whole and the repertoire itself
Aspects of the Secular Cantata in Late Baroque Italy

Aspects of the Secular Cantata in Late Baroque Italy

Author: Michael Talbot
Publisher: Ashgate Publishing, Ltd.
ISBN: 0754657949
Pages: 425
Year: 2009
The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 and many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Music & Letters

Music & Letters

Author:
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ISBN:
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Year: 1920

Visualizing Medieval Performance

Visualizing Medieval Performance

Author: Elina Gertsman
Publisher: Ashgate Publishing Company
ISBN: 0754664368
Pages: 348
Year: 2008
Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors-from their various perspectives as scholars of art history, religion, history, literary studies, theatre studies, music and dance-combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media.Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and, tensions inherent in the very notion of a medieval dance performance.
The American Music Teacher

The American Music Teacher

Author:
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Year: 2007

The performance of the basso continuo in Italian baroque music

The performance of the basso continuo in Italian baroque music

Author: Tharald Borgir
Publisher: UMI Research Press
ISBN: 0835716759
Pages: 180
Year: 1987
Covers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of he large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time.
American Book Publishing Record

American Book Publishing Record

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Year: 2006

The Art of Accompaniment from a Thorough-Bass

The Art of Accompaniment from a Thorough-Bass

Author: F. T. Arnold
Publisher: Courier Corporation
ISBN: 0486171566
Pages: 512
Year: 2013-01-23
A solid grounding in musical techniques of the 17th and 18th centuries is essential to a complete understanding of Baroque music. Arnold's legendary work is a comprehensive survey of the topic, covering every issue of significance to today's performers. The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. This rich collection of source material for the musicologist is an equally indispensable companion for conductors, editors, and performers.
The American Organist

The American Organist

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Year: 2008

Early Keyboard Journal

Early Keyboard Journal

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Year: 1985

Figured bass accompaniment in France

Figured bass accompaniment in France

Author: Robert Zappulla
Publisher: Brepols Pub
ISBN:
Pages: 303
Year: 2000
This comprehensive study of French basse continue practice supplements an already sizeable body of literature on thoroughbass accompaniment, the emphasis of which has clearly been on Italian and German theoretical works. The numerous French accompaniment treatises written during the XVIIth and XVIIIth centuries seem to have been, with only a few choice exceptions, unjustifiably dismissed by many modern scholars as little more than harmonic tutors, and the discipline of musicology -- particularly as it relates to historical performance practice -- has definitely suffered as a result. These works certainly do not deserve such a fate, for they provide not only unique documentation of French harmonic theory as it evolved over the course of more than a century, but a wealth of important information regarding XVIIth- and XVIIIth-century French performance practice as well. It is the aim of this study to give as full an accounting as possible of basse continue performance as it is documented in the numerous XVIIth- and XVIIIth-century treatises produced in France, beginning with Nicolas Fleury's Methode pour facilement a toucher le theorbe sur la basse-continue (1660) and continuing through Pierre-Joseph Roussier's Traite des accords, et de leur succession (1764) and his L'harmonie pratique, ou exemples pour le Traite des accords (1775). The issues dealt with in the treatises are treated systematically, and provide the framework for the entire study.
Book Review Index 2009

Book Review Index 2009

Author: Dana Ferguson
Publisher: Gale Cengage
ISBN: 1414419120
Pages: 1262
Year: 2009-08

Seventeenth-century Music

Seventeenth-century Music

Author:
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Year: 1991